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It was not very long before the eleven sail of the line with their attendant frigates were swelling large, bristling, and close to the Aurora, at whose signal halliards stood two sailors who dipped to such battle-ships as the schooner passed receiving the acknowledgment of small ensigns gaff-ended, and then hauled down to be hoisted no more. The picture was full of a grandeur that borrowed majesty from the sense of the power and the empire[Pg 397] the ships symbolised. They were lordly in slow motion; they bowed to the swell as though in lofty homage to their mistress the sea; they were terrible in triple rows of cannon and by virtue of the traditional magnificent spirit, silent and concealed behind their lofty and invincible defences. It was the breakfast hour, but the people aboard the Aurora were very willing to wait to break their fast. Not a man but was fascinated by the sight and presence of that tall, majestic ship out there, with the little flag at the fore. For Nelson—the Nelson of the North, of Aboukir Bay, of Teneriffe, of St Vincent, the Nelson of a hundred wounds, the first of all sea chieftains in the history of the world, Nelson, the truest sailor, the kindest shipmate, the man of the purest and loftiest spirit of chivalry and patriotism that ever stepped the planks of a ship's decks—this great, this sublime hero, to be even greater and sublimer in his victorious and immortal death a few months later—Nelson was in her! The Admiral stopped short and looked at his companion with a face that was warm, and with eyes that were dim with an emotion of gratitude that was almost the conqueror of his manhood. He extended his arm in silence, and the two officers clasped hands. Billy laughed. "Come along as far as the clearin', Harry," he invited, "and play us a tune that'll cheer Maurice up, will you?".
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Conrad
The boys glanced at each other. "You tell him," whispered Billy, but Maurice shook his head. "No, you," he whispered back. Descending into a valley he saw that the farm homes, which from the height seemed closely set together, were really quite a distance from each other. He reined up before a small frame house and, dismounting, allowed his hungry horse to crop the grass, as he opened the gate and made up the path. A shaggie collie bounded around the corner of the building and down to meet him, bristles erect and all the antagonism of a bush-dog for a stranger in its bearing. It was followed by a big man and a boy. "That night Maurice Keeler an' me went over to Gamble's an' borrowed his old ferret. He's a big ferret an' he'll tackle anythin', even a skunk. With some keg-hoops an' a canvas sack we had made what we needed to catch the weasels in. Then we put a muzzle on the ferret, so he couldn't fang-cut the weasels, an' we went over to Scraff's. As soon as Joe Scraff saw the ferret he began to see light an' turned into the house to get his shotgun. I told him to remember his promise to let me get the weasels alive, so he set on the fence an' watched while we got busy. They gently rolled the dead, or dying, man on to his back, and the nature of his injury appeared. He was clothed in white trousers, a light blue coat, and a shirt the front of which was ornamented by some light tracing like flowers. He was without a cravat, and his head was uncovered. The left side of his shirt was soaked in blood, and the singed hole through which the bullet had passed from the weapon whose muzzle he had pressed to his breast, was visible in the thick of the dark crimson dye. His face was marble-white. It wore an expression of torture. His lips were parted and grey. The eyelids were half-closed, and the whites of the eye only were visible..
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